Johan Thorn Prikker
1868-1932 Dutch Johan Thorn Prikker Gallery Dutch painter, printmaker, mosaicist and stained-glass artist. He attended the Koninklijke Academie van Beeldende Kunsten in The Hague (1881-8). During this period he painted mainly landscapes in the style of The Hague school. Until c. 1896 he produced Symbolist works, in which the emphatic line flow and the subtle colour shading are especially noticeable, for example The Bride (1893; Otterlo, Kr?ller-M?ller). From 1892 until 1897 he corresponded with Henri Borel, partly about his Symbolist work, often drawing in the letters. During this time he came into close contact with Belgian artists, in particular with Henry Van de Velde through whom he was able to exhibit with Les XX in Brussels. In summer he regularly stayed in Vise, where he produced pastel drawings in a rhythmic pointillism, a style with which he could achieve a form of abstraction.

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Johan Thorn Prikker The Bride oil painting


The Bride
1893 Rijksmuseum Kroller-Muller, Otterlo
Painting ID::  2163
Johan Thorn Prikker
The Bride
1893 Rijksmuseum Kroller-Muller, Otterlo
   
   
     

Johan Thorn Prikker Madonna among the Tulips (Before the Cross) (mk09) oil painting


Madonna among the Tulips (Before the Cross) (mk09)
1893 Oil on canvas,146 x 86 cm Otterloo,Rijksmuseum Kroller-Muller
Painting ID::  21546
Johan Thorn Prikker
Madonna among the Tulips (Before the Cross) (mk09)
1893 Oil on canvas,146 x 86 cm Otterloo,Rijksmuseum Kroller-Muller
   
   
     

Johan Thorn Prikker Madonna among the Tulips oil painting


Madonna among the Tulips
mk87 1893 Oil on canvas 146x86cm Otterloo,Rijksmuseum Kroller Muller
Painting ID::  34008
Johan Thorn Prikker
Madonna among the Tulips
mk87 1893 Oil on canvas 146x86cm Otterloo,Rijksmuseum Kroller Muller
   
   
     

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     Johan Thorn Prikker
     1868-1932 Dutch Johan Thorn Prikker Gallery Dutch painter, printmaker, mosaicist and stained-glass artist. He attended the Koninklijke Academie van Beeldende Kunsten in The Hague (1881-8). During this period he painted mainly landscapes in the style of The Hague school. Until c. 1896 he produced Symbolist works, in which the emphatic line flow and the subtle colour shading are especially noticeable, for example The Bride (1893; Otterlo, Kr?ller-M?ller). From 1892 until 1897 he corresponded with Henri Borel, partly about his Symbolist work, often drawing in the letters. During this time he came into close contact with Belgian artists, in particular with Henry Van de Velde through whom he was able to exhibit with Les XX in Brussels. In summer he regularly stayed in Vise, where he produced pastel drawings in a rhythmic pointillism, a style with which he could achieve a form of abstraction.

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